The ebb and flow incarnation of Seagal is unpleasant by any stretch of the imagination. Of course, his motion picture titles stay as focused on the three-word design as Robert Ludlum books, yet that is the main thing that hasn’t changed.
On the off chance that you haven’t been checking in with Seagal’s various direct-to-video endeavors over the previous decade, his physical appearance in “Contract to Kill” may come as a shock: He’s transformed into Paul Masson wine business time Orson Welles. This additional size powers the supervisor to settle on some strange decisions amid battle scenes, since it’s unmistakable Seagal is no longer sufficiently flexible to whip all the ass that is flung at him. Subsequently, “Contract to Kill” looks altered by a seeing-eye puppy utilizing a Cuisinart; you can’t advise who’s doing what to whom in Seagal’s activity scenes.